The television industry has undergone a significant transformation in recent years, with the rise of streaming services and the increasing demand for content that can be franchised and monetized. However, this shift has also led to a creative stagnation, where original and innovative storytelling is being pushed aside in favor of familiar and formulaic content. David Simon, the creator of the critically acclaimed series The Wire, has spoken out about the challenges he faces in getting new projects made in this franchise-obsessed TV business. According to Simon, the industry’s focus on franchise-able content has made it difficult for writers and creators to pitch and produce original ideas. Instead, networks and streaming services are looking for content that can be easily replicated and monetized, such as superhero shows and reboots of classic series. This has resulted in a lack of diversity and creativity in the types of shows being produced, with many writers and creators feeling forced to conform to the industry’s narrow expectations. The rise of streaming services has also led to an increase in the production of content, but this has not necessarily translated to an increase in quality or originality. Many streaming services are prioritizing quantity over quality, churning out large amounts of content in an effort to keep subscribers engaged. However, this approach has also led to a surplus of mediocre content, making it difficult for high-quality shows to stand out and gain traction. Simon’s experiences are not unique, as many other writers and creators have spoken out about the challenges they face in getting their projects made. The industry’s obsession with franchise-able content has also led to a lack of risk-taking and innovation, with many networks and streaming services playing it safe and relying on familiar formulas and genres. This has resulted in a homogenization of content, with many shows feeling similar and lacking a unique perspective or voice. The impact of this trend can be seen in the types of shows that are being produced, with many series feeling like rehashed versions of familiar concepts. The lack of originality and creativity in the industry has also led to a decline in the quality of writing and storytelling, with many shows relying on tired tropes and cliches. Furthermore, the industry’s focus on franchise-able content has also led to a lack of diversity and representation, with many shows failing to accurately reflect the complexity and diversity of the real world. The rise of streaming services has also led to a shift in the way that content is consumed, with many viewers binge-watching shows and expecting a constant stream of new content. However, this approach has also led to a lack of patience and attention span, with many viewers quickly losing interest in shows that do not immediately grab their attention. The industry’s obsession with franchise-able content has also led to a lack of investment in new and emerging talent, with many writers and creators struggling to get their foot in the door. The lack of opportunities for new talent has also led to a brain drain, with many writers and creators leaving the industry in search of more fulfilling and creative opportunities. In conclusion, the TV industry’s obsession with franchise-able content has led to a creative stagnation, where original and innovative storytelling is being pushed aside in favor of familiar and formulaic content. The rise of streaming services has also led to a shift in the way that content is consumed, but this has not necessarily translated to an increase in quality or originality. The industry’s focus on franchise-able content has also led to a lack of diversity and representation, and a decline in the quality of writing and storytelling. As the industry continues to evolve, it is essential that networks and streaming services prioritize originality and creativity, and provide opportunities for new and emerging talent to develop and thrive.